Showing posts with label Hip-hop. Show all posts
Showing posts with label Hip-hop. Show all posts

Sunday, March 28, 2010

Unqualified Judges of Star Quest: Nigerian Musical Talent Hunt Show

A band from Star Quest. Photo Credit: Star Quest


Unqualified Judges of Star Quest: Nigerian Musical Talent Hunt Show


They are not professionals, they are inexperienced and most of them are not even well groomed musically.
How many of them can play musical instruments satisfactorily or defend the music in their album
s?

Musical judges should be resource persons drawn from reputable music institutions, industry professionals who know their onions and music instructors with results
.

~ Akapo Emmanuel in “Will real Stars be produced” on Star Quest, page 47 of the Viewpoint in Sunday Vanguard on March 28, 2010.


Nigerian Breweries Plc has been spending a lot on Star Quest to promote Nigerian music by encouraging the revival of music bands. But there is a problem. The judges on Star Quest have been making mockery of themselves while thinking they are making fun of the contestants they are judging, because from my knowledge of music since my secondary school days at the famous St.Gregory’s College in Lagos, where good bands such as the famous Ofege, New Generation and others have emerged, I can tell you that these judges have little or no proven knowledge of MUSIC in rudiments and in instruction.
It is erroneous to make Hip-hop artistes who in most cases are music illiterates (those who cannot read and write music) judges.
They are not simply qualified to judge music
.


A performer from Star Quest . Photo Credit: Star Quest

Most of these so called celebrated hip hop superstars in Nigeria will not even pass auditions for recording contracts in the US or Europe where music production is not faked by DJs and amateurish sound engineers who dub the sound tracks of American and European musicians and mix them for Nigerian hip hop wannabes to rap or sing over them and these voice over artistes are recorded and released on the streets and bribing radio DJs and TV video jockeys to give them constant airplay (rotation) to hype them on their stage-managed charts. They spend a lot of money to fake or make musical videos copied from American and European videos and using sexploitation to market themselves as stars, but most of them cannot even sing. What we see are Garbage In, Garbage Out (GIGO) hip hop artistes unleashing their mediocrity on us. They even pay bootleggers to pirate their own music in what they popularly call Alaba Mix in local parlance in Nigeria. Then show organizers use them to promote and market alcoholic products and other junk products targeted at the ignorant and vulnerable youths in Nigeria who are now calling themselves the Hip-hop generation. And they have no shame to boast of this sham!

Please, read Our Music Is Dying Slowly, And Still Smiling by Femi Akintunde-Johnson, and Akapo Emmanuel’s critical analysis of the judges is worth reading by the organizers and the viewers.

~ By Ekenyerengozi Michael Chima


Wednesday, August 19, 2009

Sex-exploitation In Hip-hop And Hiplife Music In Nigeria


Two popular Nigerian Hiplife Artistes

Sex-exploitation is doing collateral damage to the psyche of Nigerian youths who have become addicted to the psychedelic and pornographic musical videos flooding the TV in Nigeria and the worse victims are the impressionable and vulnerable young girls and women who are paid to display and portray themselves as sex objects and are now seen more as prostitutes than dancers in Nigerian musical videos.

Please read The Exploitation of Women in Hip-hop Culture by Ayanna on My Sistahs.


The erudite Dr. Reuben Abati addressed the dangers of the negative influences of Nigerian music and how desperate to get-rich-quick Nigerian Hip-hop and Hiplife artistes are suffering from identity crisis and the tragedy is that the majority of them are ignorant of the grave consequences. Bella Naija and Linda Ikeji have addressed this in the so called Dr. Reuben Abati vs. Banky W debate. Many of the ignorant artistes called it the generation gap between them and Reuben Abati's generation.

How old is Reuben Abati?
How old are the producers of these ignorant Nigerian Hip-hop and Hiplife artistes?
I know them very well, from when they were all smoking garri decades ago to date.
I have produced a single in OJB's studios and OJB was not born yesterday.
DJ Jimmy Jatt and I were born on Lagos Island.
I was born in Obalende and I produced my first single in the United States in 1984.
The sheet-music is in the Library of Congress.

Even the highly gifted Nigerian Jazz artiste Mike Aremu knows the truth as he said:
"People now think that once they do Yahoo-Yahoo, the only cover-up they have to do is music." ~ Page 27, Saturday Punch, August 8, 2009.


My own primary concern is the negative images of our young women in their musical videos. Their lyrics are shallow and they rush to the studios to voice-over already recorded sounds and music lifted from a software synthesizer. Most of them do not even know the rudiments of Music and they just Lip-synch to synthesize and synchronize to the dubbed music. Finis. What's next?Oya, omoge shake ya booty musical video is made and then they bribe the local DJs and VJs to play their music and videos showing shamless girls and women as sex objects.
No wonder the cases of HIV/AIDS are increasing among Nigerian girls and women when they are decreasing in America.

Are there no positive images of dignified Nigerian girls and women to show in musical videos?Must you use them as sex objects to sell your music!
Don't you have enough brains to compose sensible lyrics and produce good music like Asa?


Nigeria o ni baje o!



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