Showing posts with label 63rd Cannes Film Festival. Show all posts
Showing posts with label 63rd Cannes Film Festival. Show all posts

Thursday, June 3, 2010

EKOIFF Unveiled at Cannes, Gets KODAK Support




Hope Obioma Opara, the president and co founder of the forthcoming Eko International Film Festival (EKOIFF), just returned from the recently held 63rd edition of the annual Cannes International Film Festival, France. He shared his experience with us and further spoke on his plans and preparations for EKOIFF, which he also unwrapped at the global film gathering. “I attended this year’s Cannes in my capacities as the president of EKOIFF and also as the publisher of Supple magazine. But unlike last year’s, Nigeria did not have a pavilion and only a few Nigerian journalists were there.





The Lagos state government sent the Permanent Secretary for Tourism and Inter-Governmental Affairs and the Censors Board. Also Mr.
and Mrs. Fashola, the amiable parents of Governor Babatunde Raji Fashola of Lagos State were there. The Lagos state delegation came to Cannes to promote the Lagos Film City project, which is to be located in Badagry.

The Lagos Film City will be the Hollywood of Nigeria when completed. And we met with top executives of KODAK at an exclusive party on a luxury yacht, where the Lagos state delegation publicized the Lagos Film City project and I also informed the international guests about the EKOIFF, coming up in Lagos this July. I had a very important meeting with KODAK executives on how we can improve the quality of Nollywood cinematography.

We also talked about them supporting EKOIFF.” Speaking on the major attractions at Cannes, Opara said Senegal and South Africa competed for the top prizes and one of the most moving and touching films was “Life, Above All", a movie on the stigma and trauma of AIDS in South Africa. “Many of the viewers left the theatre in tears after seeing it. But the big question at the festival was where is Nollywood? We need to work harder to compete with the best in the film world. I am very confident that we have all it takes in terms of ambitious directors, daring producers, outstanding actors and actresses to pitch in every film festival in the world. And that is why we want to use EKOIFF to bring the film world to Lagos every July and attract thousands of tourists to Nigeria.” On the number of films that had been submitted so far for EKOIFF, Opara further disclosed thus: “We have received over 33 films so far and 21 of them are by filmmakers from Europe and other parts of the world, including a Spanish film that has won over 100 awards, and one film called “Made in Japan”. We are excited that many foreign filmmakers are willing to come to Nigeria for EKOIFF.

We are doing our best with able members of the Organizing Committee and our European media partners who have publicized EKOIFF to over 4,000 filmmakers and over 77, 000 film festival media agencies in the world. We need the cooperation and support of the Lagos state government since this is the host state, the federal government, the local and multinational companies and everyone to do their best to join us to make the inaugural outing a success. Nigerian filmmakers and others should go to our website for accreditation details.”



Tuesday, May 25, 2010

Nollywood Missing When Hollywood and Bollywood Dazzled At the Cannes


Photo Credit: Celeb Buzz

Nollywood Missing When Hollywood and Bollywood Dazzled At the Cannes



The highlights of the closing ceremony of the last Cannes Film Festival were colourful. Hollywood and Bollywood stars had a lot to show at the 63rd Cannes Film Festival, but no single Nollywood star was on the red carpet. Aishwarya Rai was turning heads at the publicity for Raavan and at the screening of Wall Street: Money Never Sleeps and another Bollywood sex symbol Mallika Sherawat was in the news for Love, Barack. Nollywood was missing in action, except for Stephanie Okereke whose romantic comedy Through the Glass was promoted by her Canadian distributor at the Cannes Film Market.



Indian actress Aishwarya Rai arrives for the screening of the movie 'Wall Street - Money Never Sleeps' during the 63rd Cannes Film Festival in Cannes, France, 14 May 2010. The movie by US director Oliver Stone is presented out of competition at the Cannes Film Festival 2010, running from 12 to 23 May. EPA/CHRISTOPHE KARABA


There were few Nigerians at the festival and they came from the new Africa International Film Festival (AFRIFF), Nigerian Film Corporation (NFC), Lagos State government, The Guardian, The Nation and Supple magazine.


"Most of the Nollywood stars shy away from the Cannes, because they are not recognized as stars there. In fact, even if Genevieve Nnaji came, the paparazzi will not notice her," said Hope Obioma Opara, the Publisher of Supple magazine and President/Co-founder of Eko International Film Festival who was at Cannes for the second time.


Hope is the co-producer of Letter to the Professor, a new Nigerian big budget film featuring the first African Nobel laureate in Literature, Prof. Wole Soyinka.


Nollywood stars can only shine at local awards events and some events in Africa, but they are not recognized at the major film festivals in the world.
The fact that the richest Black woman on earth Oprah Winfrey mentioned Genevieve Nnaji as one of the most popular people in the world only made Nigerians to go gaga and Genevieve Nnaji was over the moon, but not in Hollywood or Bollywood. Nollywood videos are the laughing stock of world class filmmakers.


The fact is most of the Nollywood stars will fail auditions and cannot face the tough challenges in Hollywood or Bollywood where you cannot use tribalism to gatecrash into acting like Igbo and Yoruba actors do in Nollywood.



~ By Ekenyerengozi Michael Chima


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Monday, May 24, 2010

Curtain Comes Down on the 63rd Annual Cannes Film Festival


The highlights of the closing ceremony were colourful. Hollywood and Bollywood stars had a lot to show at the 63rd Cannes Film Festival, but no single Nollywood star was on the red carpet. Nollywood was missing in action.



Apichatpong WEERASETHAKUL with the Palme d’Or



The 63rd Cannes Film Festival ended with the thai filmmaker, Apichatpong WEERASETHAKUL winning the Palme d’Or, the highest prize for his film “LUNG BOONMEE RALUEK CHAT (Uncle Boonmee Who Can Recall His Past Lives)”.


If Thailand can go as high as winning the most coveted prize at the Cannes, then Nigeria can produce the films that can qualify for competition and win top prizes.

What is the benefit of producing thousands of movies since 1992 to date and not a single Nollywood movie has even qualified for the Official Selection of the Cannes Film Festival?

Nigerian filmmakers must step up to compete with the best in the world or go and dump their mediocre movies in the Atlantic Ocean before coming to the Côte d’Azur and get dazed and fazed by the outstanding filmmakers from all over the world.

Congratulations to all the worthy winners.

Complete List of the Winners at the 63rd Cannes Film Festival

Feature films
Palme d’Or
LUNG BOONMEE RALUEK CHAT (Uncle Boonmee Who Can Recall His Past Lives) directed by Apichatpong WEERASETHAKUL



Grand Prix
DES HOMMES ET DES DIEUX (OF GODS AND MEN) directed by Xavier BEAUVOIS


Award for Best Director
Mathieu AMALRIC for TOURNÉE (ON TOUR)


Award for Best Screenplay
LEE Chang-dong for POETRY



Award for Best Actress
Juliette BINOCHE in COPIE CONFORME (CERTIFIED COPY) directed by Abbas KIAROSTAMI



Award for Best Actor Ex-aequo
Javier BARDEM in BIUTIFUL directed by Alejandro GONZÁLEZ IÑÁRRITU
Elio GERMANO in LA NOSTRA VITA (OUR LIFE) directed by Daniele LUCHETTI



Jury Prize
UN HOMME QUI CRIE (A screaming man) directed by Mahamat-Saleh HAROUN



Short Films
Palme d’Or – Short Film
CHIENNE D’HISTOIRE (BARKING ISLAND) directed by Serge AVÉDIKIAN



Jury Prize – Short Film
MICKY BADER (BATHING MICKY) directed by Frida KEMPFF


Un Certain Regard :
Un Certain Regard Prize – Groupama Gan Foundation for Cinema
HAHAHA directed by HONG Sangsoo


Jury Prize – Un Certain Regard
OCTUBRE (OCTOBER) directed by Daniel VEGA, Diego VEGA



Un Certain Regard Award for Best Actress
LOS LABIOS (THE LIPS) played by Victoria RAPOSO, Eva BIANCO, Adela SANCHEZ



Cinefondation :
1st Prize Cinéfondation
TAULUKAUPPIAAT (THE PAINTING SELLERS) directed by Juho KUOSMANEN


2nd Prize – Cinéfondation
COUCOU-LES-NUAGES (Anywhere out of the world) directed by Vincent CARDONA


3rd Prize Cinéfondation Ex-aequo
HINKERORT ZORASUNE (THE FIFTH COLUMN) directed by Vatche BOULGHOURJIAN
JA VEC JESAM SVE ONO ŠTO ŽELIM DA IMAM (I ALREADY AM EVERYTHING I WANT TO HAVE) directed by Dane KOMLJEN


Golden Camera :
Caméra d’or
AÑO BISIESTO directed by Michael ROWE

~ By Ekenyerengozi Michael Chima





Saturday, May 22, 2010

Fashola’s Parents Accompany Lagos State Delegation to 63rd Cannes Film Festival

Fashola’s Parents Accompany Lagos State Delegation to 63rd Cannes Film Festival

The parents of Babatunde Raji Fashola,SAN, the governor of Lagos state accompanied a delegation of top officials of the state government to the 63rd Cannes Film Festival from May 12-23, 2010. The Cannes Film Festival holds annually (usually in May) at the Palais des Festivals et des Congrès, in the resort town of Cannes, in the south of France.

The mission of the delegation is to meet with experts on the development of the proposed Lagos Film City in Bagagry. They met with top executives of KODAK at an exclusive dinner on a luxury yacht last Wednesday. The successful hosting of the 6th ION Film Festival in Port Harcourt by the Rivers state government last September, and to use the global popularity of Nollywood to boost tourism in Lagos motivated the state government to include a Hollywood style film city in the Eko Mega City Project.

There is already an active Lagos International Film Festival founded and organized by Nollywood top player Mr. Madu Chikwendu, Regional Secretary of the Pan-African Federation of Filmmakers (FEPACI), but poor funding and lack of government support have made it unattractive to most people in Nigeria and abroad. The poor management, poor mileage and patronage challenged Ekenyerengozi Michael Chima, a Lagos based publisher and producer to create the new Eko International Film Festival (EKOIFF) last August and he got the support of M21 Entertainment of Italy as the media partner. M21 Entertainment publishes the leading Pro film and festival sites Fest21.com, Filmfestivals.com and the French online community cluster21.com. And Eko International Film Festival has been duly registered by Supple Communications Limited, a Lagos based media company owned by Mr. Hope Obioma Opara, the President/Co-founder of the film festival and Publisher of Supple mamgazine, the first African magazine covering film festivals since 2008 to date.

The Lagos state government can use any of the two film festivals in Lagos for the promotion of tourism and making Lagos the haven of filmmakers and lovers of movies in Africa and the rest of the world.



Wednesday, May 19, 2010

South African AIDS Film Draws Tears at Cannes World Premiere



Tears of empathy flowed copiously for heart broken Chanda, the 12 year old heroine of the South African AIDS film Life, Above All as viewers were gripped by the heartrending film Tuesday morning in the Salle Debussy at the world premiere as an official selection of the 63rd Cannes Film Festival in the Un Certain Regard category.




Allan Stratton, 59, the author of Chanda’s Secrets the young adult novel that was adapted for the film Life, Above All said he was already in tears when he saw only the rushes during the filming in South Africa.



Allan Stratton (centre) Thato Kgaladi (Soly, the boy) and Mapaseka Matheba (Iris, the girl) on the set of film Life, Above All in South Africa.


“I wrote Chanda’s Secrets to put a human face to the Sub-Saharan AIDS pandemic. It’s a visually charged story that reaches audiences of all ages. A film version, created on location by South African director Oliver Schmitz, is a dream come true,” Allan Stratton said.




Chanda’s Secrets has won many prizes since 2005, including the Africana Book Award, Michael L. Printz Honor Book award and a finalist for the Prix Sorciere of France and it has been translated into over ten languages.


Life, Above All was directed by Oliver Schmitz, the South African director whose apartheid films Mapantsula and Hijack Stories have also been screened at the Cannes in 1988 and 2001.


“I think Allan Stratton found a very good way of showing the impact of AIDS in South Africa,” said Schmitz.

“Although the main story remains the same, many little changes were made. Allan Stratton’s novel is located in Africa, but we have tried to remain very specific in terms of language and culture. For me, this sort of detail is crucial because I want to be sure that I’m faithfully representing our universal history.”




The author said he spent a month in Botswana to research for the facts.
“I knew what it felt like to lose a loved one and what AIDS panic looked like, but I did want to see what was different. In Africa, instead of attacking a subset of society, it’s attacked entire societies. Two things I didn’t expect: Internet cafés everywhere, and the joy in people. When you watch the news, you see people in postures of despair and flies buzzing around babies and glassy expressions. But the truth is that there is so much fire and laughter and joy. It made me think of how resilient people are and how, against probability, there are people who are able to grow and thrive — and that’s the story of Chanda, ”


Life, Above All was produced by German filmmaker Oliver Stoltz whose chance meeting with Allan Stratton during a reading tour in Germany in 2005 led to the film adaptation of the novel.




SYNOPSIS:
Nothing is more contagious than lies

Just after the death of her newly-born baby sister, Chanda, 12 years old, learns of a rumor that spreads like wildfire through her small, dust-ridden village near Johannesburg. It destroys her family and forces her mother to flee. Sensing that the gossip stems from prejudice and superstition, Chanda leaves home and school in search of her mother and the truth.

CREDITS

• Oliver SCHMITZ – Director
• Dennis FOON – Screenplay
• Bernhard JASPER – Cinematography
• Christiane ROTH – Set Designer
• Ali N. ASKIN – Music
• Dirk GRAU – Film Editor

ACTORS

• Thato KGALADI – Soly
• Keaobaka MAKANYANE – Esther
• Harriet MANAMELA – Mrs Tafa
• Khomotso MANYAKA – Chanda
• Mapaseka MATHEBE – Iris
• Tinah MNUMZANA – Aunt Lizbet
• Lerato MVELASE – Lillian
• Aubrey POOLO – Jonah

THE STORY:

Chanda, 16, is a smart and determined South African girl on track to win a scholarship – but she’s suddenly thrust into an impossible situation, forcing her to adopt maturity beyond her years. When we first meet her, she’s making funeral arrangements for her year-old sister, Sara. If people begin to suspect Sara’s death was due to more than a passing flu, Chanda will be faced with shame and stigma, not only for the victim, but also for their entire family.

When Lilian’s (Chanda’s mother) illness becomes impossible to hide, their nosy, eccentric next-door neighbor, Mrs. Tafa, engages a spirit doctor to perform a startling ritual. The spirit doctor determines that a curse is hanging over her and her children. In order to lift it,

Lilian must return to the village from where she was banished decades before, leaving Chanda alone to care for her siblings.

Meanwhile, Chanda’s best friend, Esther, has turned to prostitution in a desperate attempt to survive and reunite her own family. Though the community shuns Esther, Chanda refuses to reject her friend. To the horror of those around her, Chanda opens her house to Esther at her friend’s moment of greatest need. That’s just the beginning of Chanda’s fight against convention.

When Chanda discovers that her mother may have gone away to die in order to spare her children shame, she ignores the cautions of the meddling Mrs. Tafa, and embarks on a fateful journey to bring her mother home. And in doing so, challenges the people around her to reject their prejudices and embrace the truth.






~ By Ekenyerengozi Michael Chima



Tuesday, May 11, 2010

Wall Street 2: Money Never Sleeps at 63rd Cannes Film Festival



Michael Douglas is back in his Oscar®-winning role as one of the screen’s most notorious villains, Gordon Gekko. Emerging from a lengthy prison stint, Gekko finds himself on the outside of a world he once dominated. Looking to repair his damaged relationship with his daughter Winnie, Gekko forms an alliance with her fiancé Jacob (Shia LaBeouf). But can Jacob and Winnie really trust the ex-financial titan, whose relentless efforts to redefine himself in a different era have unexpected consequences.





One of the most anticipated Out of Competition films at the 63rd Cannes Film Festival is Oliver Stone’s Wall Street: Money Never Sleeps, the sequel to his 1987 Academy Award-winning film Wall Street. Famous actor Michael Douglas returned to reprise his role as Gordon Gekko, but Shia LaBeouf is not actually another Charlie Sheen of the first Wall Street. The film is highly rated as one of the seven films to watch out for at the prestigious film fiesta. Supple magazine will join others at the Cannes on Friday where the Publisher Hope Obioma Opara is already expected to promote our inaugural Eko International Film Festival (EKOIFF) as we prepare to host the film world in the mega city of Lagos this summer.